{"id":398,"date":"2025-01-16T07:43:24","date_gmt":"2025-01-16T07:43:24","guid":{"rendered":"https:\/\/seal.ergucu.com\/?p=398"},"modified":"2025-01-16T07:43:24","modified_gmt":"2025-01-16T07:43:24","slug":"hayatinizi-nasil-bilirdiniz","status":"publish","type":"post","link":"https:\/\/seal.ergucu.com\/?p=398","title":{"rendered":"HAYATINIZI NASIL B\u0130L\u0130RD\u0130N\u0130Z?"},"content":{"rendered":"
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HAYATINIZI NASIL B\u0130L\u0130RD\u0130N\u0130Z?<\/h2>\n

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\n<\/em><\/strong><\/p>\n


\nHAYATINIZI NASIL B\u0130L\u0130RD\u0130N\u0130Z?<\/a>
\n<\/em><\/strong>(Spotify Podcast’te sesimden dinlemek i\u00e7in ba\u015fl\u0131\u011f\u0131 t\u0131klayabilirsiniz.)<\/em><\/p>\n

\u0130nsanlar ikiye ayr\u0131l\u0131r der \u00c7etin Altan; Mezarl\u0131klara girecek olanlar ve insanl\u0131k birikiminin toplam\u0131 olan ansiklopedilere girecek olanlar. \u015eark toplumlar\u0131 ise, zengin olanlar ile zengin olmaya \u00e7al\u0131\u015fanlardan ibarettir.<\/em><\/p>\n

Fransa\u2019n\u0131n 18. y\u00fczy\u0131l yazarlar\u0131ndan olan ayd\u0131nlanma filozofu Denis Diderot, 1768 y\u0131l\u0131nda kaleme ald\u0131\u011f\u0131 ve ilk defa\u00a01772\u2019de yay\u0131nlanan \u201cRegrets sur ma vieille robe de chambre ou avis \u00e0 ceux qui ont plus de go\u00fbt que de fortune\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131nda, eski sabahl\u0131\u011f\u0131n\u0131 atmas\u0131yla birlikte hayat\u0131nda ba\u015flayan de\u011fi\u015fimleri anlat\u0131r.<\/em><\/p>\n

\"\"<\/em><\/p>\n

Diderot, b\u00fcy\u00fck bir bor\u00e7 bata\u011f\u0131na d\u00fc\u015fer. Onun bu peri\u015fan hali, Rus \u00c7ari\u00e7esi Katerina\u2019n\u0131n kula\u011f\u0131na kadar gider.<\/em><\/p>\n

\u00c7ari\u00e7e, bu batakl\u0131ktan kurtulmas\u0131 i\u00e7in Diderot\u2019ya nazik bir teklif sunar: Diderot\u2019nun k\u00fct\u00fcphanesini sat\u0131n al\u0131r ve kendisine tekrar hediye eder. Bu k\u00fct\u00fcphanede \u00e7al\u0131\u015fmas\u0131 i\u00e7in de Diderot\u2019ya 25 y\u0131ll\u0131k maa\u015f\u0131n\u0131 pe\u015fin \u00f6der.<\/em><\/p>\n

Tabii ki bu pe\u015fin \u00f6deme, Diderot i\u00e7in hi\u00e7 beklenmedik anda bir servete sahip olma anlam\u0131na gelir. Art\u0131k Diderot, b\u00fct\u00fcn bor\u00e7lar\u0131ndan kurtulmu\u015f ve rahatlam\u0131\u015ft\u0131r.<\/em><\/p>\n

Bir g\u00fcn bir arkada\u015f\u0131 ona kadife bir sabahl\u0131k hediye eder. Ve her ne olursa i\u015fte bundan sonra olur. Filozof, sabahl\u0131\u011f\u0131n\u0131 giyinir. \u00c7al\u0131\u015fma masas\u0131na kurulur ve i\u015ftahla \u00e7al\u0131\u015f\u0131rken birden bu muhte\u015fem sabahl\u0131\u011f\u0131 ile \u00e7al\u0131\u015fma masas\u0131n\u0131n birbiriyle uyu\u015fmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcr.<\/em><\/p>\n

Kasas\u0131ndaki y\u00fckl\u00fc miktar nakdin sarho\u015flu\u011fuyla derhal masas\u0131n\u0131 de\u011fi\u015ftirmek \u00fczere d\u0131\u015far\u0131 \u00e7\u0131kar ve harika bir \u00e7al\u0131\u015fma masas\u0131 al\u0131r. Art\u0131k sabahl\u0131k ve \u00e7al\u0131\u015fma masas\u0131 uyumludur.\u00a0<\/em><\/p>\n

Fakat bir de ne g\u00f6rs\u00fcn? Yerdeki eski hal\u0131, ne sabahl\u0131\u011f\u0131na ne de \u00e7al\u0131\u015fma masas\u0131na yak\u0131\u015f\u0131yor. Ko\u015far ve kasas\u0131ndaki parayla kendisine lay\u0131k bir hal\u0131 da al\u0131r.<\/em><\/p>\n

Yine de i\u00e7ini kemiren bir \u015feyler vard\u0131r. \u00c7\u00fcnk\u00fc evin koltuklar\u0131, dolaplar\u0131, sandalyeleri, duvar resimleri ve duvar hal\u0131s\u0131, odan\u0131n s\u00fcslemeleri birbiriyle uyumsuz ve hafif kal\u0131r.<\/em><\/p>\n

Her \u015fey g\u00f6z\u00fcne batmaya ba\u015flam\u0131\u015ft\u0131r art\u0131k\u2026 Gel zaman, git zaman Diderot, evin b\u00fct\u00fcn e\u015fyalar\u0131n\u0131 i\u011fneden ipli\u011fe de\u011fi\u015ftirir.\u00a0Diderot\u2019un, durumu idrak etmesi fazla zaman almaz. Ba\u015flad\u0131\u011f\u0131 noktaya d\u00f6n\u00fc\u015f\u00fcn\u00fcn, h\u0131rslar\u0131ndan kaynakland\u0131\u011f\u0131n\u0131n fark\u0131na var\u0131r.<\/em><\/p>\n

Sonu\u00e7ta, yazar\u0131n bu konu \u00fczerine kaleme ald\u0131\u011f\u0131 me\u015fhur \u201cEski Sabahl\u0131\u011f\u0131m \u0130\u00e7in Pi\u015fmanl\u0131k\u201d adl\u0131 eseri ortaya \u00e7\u0131kar. Yazar, ard\u0131nda tarihe ge\u00e7ecek \u00f6zl\u00fc bir s\u00f6z b\u0131rak\u0131r: \u201cEski sabahl\u0131\u011f\u0131m\u0131n efendisi iken, yenisinin k\u00f6lesi oldum.\u201d<\/em><\/p>\n

Diderot bu yaz\u0131s\u0131nda t\u00fcketim \u00e7\u0131lg\u0131nl\u0131\u011f\u0131na kendisini kapt\u0131r\u0131\u015f\u0131n\u0131 anlat\u0131r.<\/em><\/p>\n

Onun, t\u00fcketim \u00e7\u0131lg\u0131nl\u0131\u011f\u0131n\u0131n insan\u0131 s\u00fcr\u00fckleyece\u011fi halleri anlatan ve bug\u00fcnk\u00fc anlam\u0131na en yak\u0131n i\u00e7eri\u011fi ile kavramdan s\u00f6z eden yazar olmas\u0131 ve sebep-sonu\u00e7 ili\u015fkisini ortaya koymas\u0131 bak\u0131m\u0131ndan ad\u0131na atfen \u201cDiderot Etkisi\u201d denilmi\u015f.<\/em><\/p>\n

\u201cDiderot Efekti\u201d, harcamalar\u0131n gereksizli\u011finden ziyade; yeni bir al\u0131\u015fveri\u015fin, beraberinde bozulan b\u00fct\u00fcnsellik alg\u0131s\u0131 nedeniyle gereksiz harcamalar do\u011furdu\u011fu ger\u00e7e\u011fini de ifade eder. Diderot, bu etkiyle bireylerin nas\u0131l bir t\u00fcketim u\u00e7urumuna s\u00fcr\u00fcklendi\u011fini ifade ederek, insan\u0131n kendini kontrol edip yeni bir \u015feye sahip olmas\u0131n\u0131n anl\u0131k ve ge\u00e7ici mutlulu\u011fundansa, sahip olduklar\u0131n\u0131n de\u011ferini bilerek daha kal\u0131c\u0131 mutluluklara y\u00f6nelmesini de sal\u0131k verir.<\/em><\/p>\n

Bu etkiye dair de\u011ferlendirmelerini dile getirdi\u011fi yaz\u0131s\u0131n\u0131n sonunda \u015funlar\u0131 s\u00f6yler: \u201c\u00d6rne\u011fimin size bir ders vermesine izin verin: Yoksullu\u011fun \u00f6zg\u00fcrl\u00fckleri vard\u0131r; zenginli\u011fin ise engelleri\u2026\u201d<\/em><\/p>\n

\"\"<\/p>\n

<\/em><\/p>\n

Pandemi \u00f6ncesi adeta t\u00fcketim \u00e7\u0131lg\u0131nl\u0131\u011f\u0131na teslim olan insano\u011flu i\u00e7in, pandemi g\u00fcnlerinden ge\u00e7ti\u011fimiz ve i\u015f yap\u0131\u015f \u015fekillerinde, ya\u015famlar\u0131m\u0131zda ciddi de\u011fi\u015fimin ya\u015fand\u0131\u011f\u0131 b\u00f6yle bir d\u00f6nemde a\u015f\u0131r\u0131 t\u00fcketime dair bu Diderot etkisi azal\u0131r m\u0131 dersiniz?\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

Ya da \u015fu me\u015fhur soruyu sormal\u0131; En ak\u0131ll\u0131 insan kimdir? Cevap; “Neyi zorlay\u0131p, neyi b\u0131rakaca\u011f\u0131n\u0131 bilen insand\u0131r.\u201d<\/em><\/p>\n

Zorlaman gerekeni pes ederek b\u0131rak\u0131rsan kaybedersin, b\u0131rakman gerekeni \u0131srarla zorlarsan yine kaybedersin. \u0130nsan, h\u0131rs\u0131n\u0131, azmini ve eme\u011fini neye ya da kime harcad\u0131\u011f\u0131na dikkat edip, \u00f6zen g\u00f6stermeli… Tabi bir de en \u00f6nemlisi, zaman\u0131n\u0131\u2026<\/em><\/p>\n

Bu d\u00f6nem bilgi konusunda da benzer bir durum s\u00f6z konusu\u2026 Hemen herkesin her \u015feyi bildi\u011fi, her konuda her seviyeden ahk\u00e2m kesti\u011fi g\u00fcnlerden ge\u00e7iyoruz. Akla zarar bir pervas\u0131z cesaret, k\u00f6r\u00fc k\u00f6r\u00fcne yalana, yanl\u0131\u015f bilgiye inanma ve g\u00f6z\u00fc kapal\u0131 bir inanm\u0131\u015fl\u0131kla savunma hali mevcut\u2026 \u00d6yle kesif bir bilgi kirlili\u011fi, d\u00fc\u011f\u00fcm vaziyetinde. Hele de g\u00fcndemden takip ediyorsunuzdur, a\u015f\u0131lar ve a\u015f\u0131lanma konusunda, bilim insanlar\u0131na kafa tutarcas\u0131na\u2026 Ge\u00e7en g\u00fcn Prof. Dr. Veysel Bozkurt \u201cHaddini bilmezlik \u00e7a\u011f\u0131!\u201d diye bir ba\u015fl\u0131k a\u00e7\u0131p \u015f\u00f6yle yazm\u0131\u015f:<\/em><\/p>\n

<<<\/strong>\u00a0\u00a0\u0130nternet, insanda her \u015feyi bildi\u011fi duygusunu uyand\u0131rd\u0131. Oysa internet ile gelen bilgi (knowledge) de\u011fil, sadece malumat (information). Artan malumatfuru\u015fluk, her konuda en yetkin bilim insanlar\u0131na ders veren bir kitle ortaya \u00e7\u0131kard\u0131.<\/em><\/p>\n

1990’l\u0131 y\u0131llar\u0131n ilk yar\u0131s\u0131nda “bilgi parmaklar\u0131n\u0131z\u0131n ucunda” slogan\u0131yla pop\u00fclerle\u015fen internet, bir “bilgi \u00e7a\u011f\u0131”n\u0131 vaad ediyordu. Art\u0131k s\u0131radan insanlar ayd\u0131nlanma d\u00fc\u015f\u00fcn\u00fcrlerinden daha fazla bilgiye ula\u015fma imkan\u0131na sahip olacakt\u0131; kolay ula\u015f\u0131labilen bilgiyle \u00f6zg\u00fcrle\u015fecektik.<\/em><\/p>\n

Oysa en k\u0131ymetli bilgiler, internetin malumat \u00e7\u00f6pl\u00fc\u011f\u00fcnde fark edilmez hale geldi. Geni\u015f kitleler, duygular\u0131n\u0131 ok\u015fayan korkun\u00e7 bir “infodemi”nin sald\u0131r\u0131s\u0131 alt\u0131nda kald\u0131. Yanl\u0131\u015f\u0131 do\u011frudan ay\u0131rmak imkans\u0131z hale geldi. Post-truth s\u00f6zc\u00fc\u011f\u00fcn\u00fcn g\u00fcn\u00fcm\u00fczde pop\u00fclerle\u015fmesi tesad\u00fcf de\u011fil.<\/em><\/p>\n

\u00c7eyrek as\u0131r \u00f6nce pop\u00fclerle\u015fen internet ile “bilgi \u00e7a\u011f\u0131”n\u0131n kap\u0131s\u0131n\u0131 aralad\u0131\u011f\u0131m\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcyorduk. Oysa bug\u00fcn insanl\u0131\u011f\u0131n geldi\u011fi yer, malumatfuru\u015fluk ve cehaletin verdi\u011fi \u00f6zg\u00fcven ile tam bir “haddini bilmezlik \u00e7a\u011f\u0131” oldu.\u00a0>><\/strong><\/em><\/p>\n

Dolay\u0131s\u0131yla \u00f6l\u00e7\u00fcs\u00fczl\u00fc\u011f\u00fcn bile bir \u00f6l\u00e7\u00fcs\u00fc olmal\u0131. Ama\u00e7, hayat\u0131 en aza indirgemek de\u011fil, onu optimal seviyede doldurmak.<\/em><\/p>\n

\u00c7ok kli\u015fe olmakla beraber son derece kar\u015f\u0131l\u0131\u011f\u0131 olan bir s\u00f6zd\u00fcr bilirsiniz: \u201cBildi\u011fini bilenin arkas\u0131ndan gidiniz. Bildi\u011fini bilmeyeni uyand\u0131r\u0131n\u0131z. Bilmedi\u011fini bilene \u00f6\u011fretiniz. Bilmedi\u011fini bilmeyenden ka\u00e7\u0131n\u0131z.\u201d\u00a0<\/em><\/p>\n

\u0130\u015f d\u00f6n\u00fcp dola\u015f\u0131p kendini bilmeye geliyor. Yoksa hayat\u0131n her kademesinde i\u015f ya\u015fam\u0131ndan siyasete, sosyal hayattan bireylere uzanan Diderot etkisinde oldu\u011fu gibi sabahl\u0131\u011f\u0131n\u0131n k\u00f6lesi olanlar, bilmedi\u011finin veya yanl\u0131\u015f bildi\u011finin fark\u0131nda olmayanlarla \u201cYanl\u0131\u015f hayat do\u011fru ya\u015fanmaz\u201d, Adorno\u2019nun dedi\u011fi gibi\u2026 \u0130htiraslar\u0131n ihtiya\u00e7lar\u0131n \u00f6n\u00fcne ge\u00e7mesi misali, ihtiya\u00e7 olmad\u0131\u011f\u0131 halde \u201ct\u00fckettik\u00e7e mutlu olma hali\u201d Diderot etkisiyle b\u00f6ylesine bir t\u00fcketim sarmal\u0131n\u0131n yani bu israf\u0131n sonu da \u201cmutlak mutsuzluk\u201d olarak insan hayat\u0131nda tezah\u00fcr ediyor. Kapitalizmin savurdu\u011fu hayatlar olarak, hatta nihayetinde toplumlar olarak\u2026<\/em><\/p>\n

Sahi hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc sizin sabahl\u0131\u011f\u0131n\u0131z\u0131n ne oldu\u011funu?<\/em><\/p>\n

Ya da eski sabahl\u0131\u011f\u0131n\u0131z\u0131n efendisi iken k\u00f6lesi oldu\u011funuz yenisi var m\u0131 acaba hayat\u0131n\u0131zda?<\/em><\/p>\n

 <\/p>\n

Aylin ONART
\nYeniden Merhaba Dergisi
\nEyl\u00fcl 2021<\/em><\/p>\n

 <\/p>\n

(T\u00fcm yaz\u0131lar\u0131m\u0131 Spotify, Google ve Apple Podcast’le Youtube kanal\u0131mdan sesimden dinleyebilirsiniz.)<\/em><\/p>\n

\"\"<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
\n

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\u00a0–<\/span>\u00a0Daha Fazlas\u0131<\/a><\/div>\n<\/div>\n
<\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

HAYATINIZI NASIL B\u0130L\u0130RD\u0130N\u0130Z? HAYATINIZI NASIL B\u0130L\u0130RD\u0130N\u0130Z? (Spotify Podcast’te sesimden dinlemek i\u00e7in ba\u015fl\u0131\u011f\u0131 t\u0131klayabilirsiniz.) \u0130nsanlar ikiye ayr\u0131l\u0131r der \u00c7etin Altan; Mezarl\u0131klara […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[73],"tags":[],"class_list":["post-398","post","type-post","status-publish","format-standard","hentry","category-makaleler-tr-makaleler-tr"],"_links":{"self":[{"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=\/wp\/v2\/posts\/398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=398"}],"version-history":[{"count":1,"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=\/wp\/v2\/posts\/398\/revisions"}],"predecessor-version":[{"id":399,"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=\/wp\/v2\/posts\/398\/revisions\/399"}],"wp:attachment":[{"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/seal.ergucu.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}